11/24/2023 0 Comments Adobe animate classes nyuIt was exciting for us to be able to layer in this kind of subtle musical narrative underneath our main narrative and it was important to us to have trans artists and voices help to tell Liz’s story. We were able to feature one track of his in each episode, using tracks from their earlier pioneering electronic album Keyboard Fantasies for the episodes set in the 60s and 70s, while a newer track worked perfectly for the end credits. For The Lady and The Dale Zackary Drucker our co-director introduced me to Glenn Copeland, an amazing trans musician whose music became integral to the soundscape of the documentary. I’ll ask the director if they have any songs and/or soundtracks they’ve been thinking of and I’ll use those tracks as a foundation for a playlist that will help me start the process of getting into the mood of the project and serve as the initial inspiration for the edit. How do you begin a project/set up your workspace?Ĭhris: Usually I like to start a project by thinking about the musical world it might live in. But I learned how to animate better when I went to film school at NYU and took animation classes there. I made some animated hypercard games too, which was an early Mac thing that was kind of like an interactive website for one that only lived on your computer. ![]() Sean: I taught myself how to make little computer animations when I was in middle school and would draw them all with my mouse. ![]() promotions/products/creative-cloud/premiere-pro Lead Editor Chris Donlon and Animation Director & owner of animation house Awesome and Modest Sean Donnelly talk about bringing this project to life using Premiere Pro, After Effects, Adobe Animate and Photoshop, and share their tips and tricks for animation and editing. The captivating story is told through an incredible use of stop motion animation blended with archival content. The Lady and The Dale is a probing exploration of family and identity seen through the lens of the rise and fall of a fearless and wily innovator, an extraordinarily resilient woman and a dedicated parent. Her promotional zeal thrust her into fierce public and media scrutiny which uncovered a web of mystery and suspicion about the car’s technology and her own checkered past. At a time when three big American automobile manufacturers ruled the road, Liz launched a futurist vehicle that promised to get 70 miles to the gallon. HBO Documentary Films’ The Lady and The Dale, a four-part documentary series from Emmy®-winning producers Mark and Jay Duplass (HBO’s “Room 104”) and directed by Nick Cammilleri and Zackary Drucker, traces the audacious story of Elizabeth Carmichael, a larger-than-life entrepreneur who rose to prominence during the 1970s oil crisis with her promotion of a fuel-efficient, three-wheeled car known as The Dale. The editing and animation of The Lady and The DaleĮditor Chris Donlon and Animation Director Sean Donnelly of HBO Max’s The Lady and The Dale discuss the post-production and animation workflow behind the series.
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